1. THERE WERE SEVEN GIRLS IN THE FIRST SEASON: BLAIR, TOOTIE, NATALIE, AND FOUR OTHERS.
Things were rather crowded at Eastland School those first 13 episodes, with Felice Schachter, Julie Anne Haddock, Julie Piekarski, and Molly Ringwald "yes, that one" in the mix with the others. A couple of school administrators were regular characters as well. Predictably, it soon became apparent that there wasn’t enough for all of those characters to do, and the show’s ratings were lousy. For the second season, producers stripped it down to the elements that were working best, dumped everyone else, and brought in Nancy McKeon as tomboy, blue-collar Jo.
2. WHELCHEL, FIELDS, AND COHN DIDN’T KNOW THAT THE OTHER GIRLS HAD BEEN FIRED UNTIL THEY SHOWED UP FOR WORK ON SEASON TWO.
“Everybody was shocked,” said Whelchel. “Nobody knew-that I know of-that they were going to make this major cut.” Three of the four castoffs came back as guest stars a few times in seasons two and three, and again for a season eight reunion episode called “The Little Chill.” Ringwald was the one holdout.
3. GEORGE CLOONEY WAS JUST ONE OF MANY GUEST STARS WHO WOULD LATER BECOME A BIG-TIME CELEBRITY.
It’s a widely known bit of trivia that Clooney played a handyman in 17 episodes sprinkled throughout seasons seven and eight. Other not-yet-famous guest stars who appeared on the show include Helen Hunt, Juliette Lewis, Mayim Bialik, Seth Green, Richard Dean Anderson, Richard Grieco, Dennis Haysbert, Crispin Glover, David Spade, and Bridesmaids director Paul Feig.
4. WHEN THE SHOW ENDED IN 1988, IT WAS THE LONGEST RUNNING SITCOM IN NBC’S HISTORY.
Nine seasons and 201 episodes were enough to set the record at the time. (Yep, it even outlasted Diff’rent Strokes, the show from which it was spun off.) It has since been surpassed in NBC’s record books by Cheers, Frasier, and Friends.
5. MINDY COHN WAS PLUCKED FROM A REAL GIRLS’ SCHOOL TO PLAY NATALIE—A PART CREATED SPECIFICALLY FOR HER.
Before The Facts of Life began production, Charlotte Rae and some of the show’s producers visited Westlake School in Bel Air to observe real teens. Cohn was one of several students who volunteered to meet with the TV people and answer their questions. (“Getting out of class sounded good, and the additional enticement of free doughnuts sounded better,” Cohn later wrote.) Rae apparently fell in love with Cohn, saying she reminded her of a childhood friend named Natalie. “She was so cute and had kind of a Jewish sense of humor, so we said, ‘Hey, she’d be great as one of the girls!,’” executive producer Jerry Mayer recalled. “We got in touch with her mother, and her mother said, ‘Fine,’ and the rest is history. But it was strictly dumb luck.”
6. KIM FIELDS WAS ONLY 10 WHEN THE SHOW PREMIERED.
Mindy Cohn was 13, and Lisa Whelchel was 16. (Nancy McKeon didn’t join until season two, but she’s the same age as Cohn.) One of the reasons Tootie was usually on roller skates in the first season was to disguise how much shorter she was than the other girls.
7. IT WASN’T JUST A SPINOFF OF DIFF’RENT STROKES, IT WAS A HASTY SPINOFF OF DIFF’RENT STROKES.
NBC was struggling in the late 1970s. Of the top 30 network shows of the 1977 to 1978 season, 15 were on ABC, 11 were on CBS, and only four were on NBC (Little House on the Prairie, Project U.F.O., and the Sunday and Monday night movies). So when Diff’rent Strokes premiered in the fall of 1978 and became a hit—it placed 27th for the season—NBC moved quickly to capitalize on its success.
The season finale of Diff’rent Strokes’ first season, “The Girls School,” had housekeeper Mrs. Garrett helping out at the private school Kimberly attended, and ended with her being offered a job as housemother. The Facts of Life premiered three months later, in August of 1979, for a four-episode trial run, then returned permanently in March of 1980. Mrs. Garrett continued to appear on season two of Diff’rent Strokes in the meantime before leaving the Drummonds for good.
8. THE SHOW TRIED (AND FAILED) TO LAUNCH SIX OF ITS OWN SPINOFFS.
These were all what they call “backdoor pilots,” where an ostensibly normal episode of an existing show is really a tryout for a new series. (The Facts of Life, of course, had started out as a backdoor pilot itself.) The season two episode “Brian & Sylvia” would have led to a show about an interracial marriage (featuring Tootie’s aunt). Season three’s “The Academy” introduced an all-boys military school near our girls’ school; they showed up again in a season four episode. Also in season three, “Jo’s Cousin” had Jo’s tough-talking, streetwise relative living in a family full of men. The season four finale “Graduation” tested the idea of sending Blair and Jo off on their own, now that they’d graduated from Eastland. “Big Apple Blues,” in season nine, had Natalie hanging out with odd SoHo characters (including David Spade and Richard Grieco) and considering starting a new life there. And the series finale had Blair buying Eastland, making it co-ed, and essentially starting over as the new Mrs. Garrett, in the hopes that NBC would greenlight The Facts of Life: The Next Generation (or something like that).
9. THE FACTS OF LIFE PREMIERED AROUND THE SAME TIME AS ANOTHER SHOW WITH A SIMILAR PREMISE.
Dorothy, starring Broadway’s Dorothy Loudon (Annie’s original Miss Hannigan), was about a free-spirited former showgirl who becomes a music and drama teacher at a snooty east coast girls’ school. It ran on CBS for a total of four episodes in August of 1979, overlapping with the premiere of The Facts of Life by one week.
10. NANCY MCKEON WON THE ROLE OF TOUGH GIRL JO BY ... BEING REALLY TENDER.
Her screen test was an emotional scene that involved a phone call. Director John Bowab later recalled, “I distinctly remember asking Nancy, ‘Even though it says cry, don’t cry. I want you to hold back and make the audience cry.’ And she did. Everybody in the control room was shattered.”
11. PRODUCERS COMPLAINED THAT LISA WHELCHEL WAS GETTING TOO FAT AND MINDY COHN WAS GETTING TOO THIN.
In a 2013 interview with People, Whelchel and Cohn discussed the challenges producers faced in (in Whelchel’s words) “trying to figure out how to deal with our changing bodies.” “Weight was always an issue back then,” explained Cohn. “An everyday battle,” added Whelchel. “Our bodies were a topic of conversation. There wasn't the Internet, but we knew what people were saying. Joan Rivers called us The Fats of Life … The producers sent me to quite a few fat farms! I'd say, ‘I'm going to Texas on my hiatus,’ and they'd say, ‘Oh, no you're not. We bought you a ticket to the fat farm!’” Meanwhile,She later told E! True Hollywood Story that the producers asked her to quit it because so much of her character was tied into being fat. The solution: Put Cohn in baggy clothes to make her look heavier than she really was.
12. BLAIR’S COUSIN GERI WAS THE FIRST DISABLED CHARACTER TO APPEAR REGULARLY ON A PRIMETIME TV SHOW.
She was played by Geri Jewell, a comedian with cerebral palsy whom producer Norman Lear had seen perform at the Media Access Awards in 1980. “I got a standing ovation, and I ran into Norman in the elevator,” Jewell later recalled. “He said, ‘You’ll be hearing from me really soon, kid.’ Three months later, he called me with the ‘Cousin Geri’ episode [in season two].” Jewell was on the show a dozen times over the next few years. More recently, Jewell was a regular on HBO’s Deadwood and had a guest spot on Glee.
13. FOR AS LONG-LIVED AS IT WAS, AND AS FONDLY REMEMBERED AS IT IS, THE SHOW WAS NEVER A HUGE HIT.
It ranked 74th in its first season, barely surviving cancellation. Streamlining the cast helped, and the show was popular from season two onward, especially among young viewers. But while the show often won its time slot and had occasional episodes crack the weekly top 20, the season average was never any higher than 24th place. It didn’t get much respect from the TV academy, either, earning just three Emmy nominations (no wins) over its entire run: one for hairstyling, one for technical direction, and one for Charlotte Rae as lead actress.
14. SNOBBY RICH GIRL BLAIR WAS ORIGINALLY SUPPOSED TO BE A NAIVE, FAST-TALKING TEXAN.
That’s how the script read, anyway. But when Whelchel auditioned, “There was one line in the script and I read it very snidely and condescendingly and sarcastically,” she recalled. “And I didn’t realize until I got the part and came back later that they had rewritten the character to be the snob.”
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